An interdisciplinary journal about regions, places, and cultures of the US South and their global connections

On Fair Use

Posted on May 23, 2013 by

Alan G. Pike, Emory University

in Re: Southern Spaces, Publishing, Digital Humanities
Posted on: 
May 23, 2013

Alan G. Pike, Emory University

The doctrine of "fair use" is an increasingly important concept for scholars, libraries, and universities as digital technologies continue to change the ways that we research, publish, and teach in higher education. The United States Copyright Office outlines its "fair use" policy in Section 107 of Title 17 of the United States Code, enumerating "various purposes for which the reproduction of a particular work may be considered fair, such as criticism, comment, news reporting, teaching, scholarship, and research." The limits of fair use doctrine continue to spark controversy as academic publishers, university libraries, and scholars debate the issue in federal court

While Southern Spaces does not have a specific "fair use" policy, we sometimes make fair use claims when justifying our occasional use of copyrighted material. As Sarah Melton discussed in a May 2012 blog post, we often wrestle with questions of fair use when finding media for our blog, our featured images posts, and the works of our authors. In March, we published a talk by Erich Nunn entitled "Hillbilly Records, Zulu Yodels, and the Sounds of a Global South" which uses the copyrighted work of Jimmie Rodgers, Hugh Tracey, and the Columbia Pictures Corporation. When we feel it is necessary to justify our fair use of such material, we record our "fair use" justifications and permissions information in the template associated with the piece. 

Screenshot of Southern Spaces "Edit" page showing the "Permissions and fair use" field.
Screenshot of Southern Spaces "Edit" page showing the "Permissions and fair use" field.

These justifications vary with each piece and are not public information. Rather, we include this step in our publication process to be sure that we pay special attention to issues of fair use and have an archive to turn to if copyright holders decide to challenge our use of their work. How do other online scholarly publications justify fair use of copyrighted materials?

Just for fun, I strongly recommend viewing A Fair(y) Use Tale, a brief video essay on fair use by Eric Faden, an Associate Professor of Film and Media Studies at Bucknell University.

Fair Use and Publishing

It is impressive and exciting to see that Southern Spaces is making appropriate use of copyright law to facilitate distribution of research and wider understanding. As Peter Jaszi and I make clear in Reclaiming Fair Use: How to Put Balance Back in Copyright (University of Chicago Press, 2011), fair use is not only widely available in publishing, but also widely used in daily life by all kinds of people who generate culture, especially scholars and teachers. Fair use has become even easier to use for professional communities that have shaped consensus documents around their interpretation of fair use, which Prof. Jaszi and I have been proud to facilitate. Such consensus documents have been employed by editors at presses, including at University of Chicago Press, Oxford University Press and Cambridge University Press, to help make their case-by-case judgments on fair use. Among the documents helpful to scholarly publishers are:

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