from the The Seventeenth Southern Writers Symposium
Robert Jackson, University of Virginia
Abstract:
A critical review of some of T.S. Eliot's narrowly
ideological invocations of region encourages us to clarify and redefine
the term, for Eliot's own experience of the South was of a complex regional
culture in which competing and contradictory forces were "inextricably
involved with one another."
Robert Jackson completed his doctorate in English at New York University
in 2001, and his book The Gilded Land: Seeking The Region In American
Literature And Culture will be published in 2005 as part of the
Southern Literary Series of LSU Press. At present he is doing postgraduate
work in southern history at the University of Virginia.
Essay Sections:
Introduction:
Imagine what it would be like to gather to one location a group of thinkers
and then open discussion of a topic of shared interest—say, the role
of region in southern literature—with the following introduction:
I shall not today attempt further to define the kinds of material I understand
to be embraced within that shorthand description; and perhaps I could
never succeed in intelligibly doing so. But I know it when I see it...
Among others who already think like we do, defining our terms is rarely a
high priority. We feel at home, we feel a sense of community, among
like-minded people, which explains in large measure our appreciation for
gatherings like this one. Most people forget that "I know it when I see it,"
the infamous non-definition of pornography by U.S. Supreme Court Associate
Justice Potter Stewart, came as part of his concurring opinion in the landmark
case of Jacobellus v. Ohio (1964). It's much easier to evade
precision when we're on the winning side of an argument.
When talking about region, we all think we know what we're talking about,
and we tend to use the word in scores of different ways, and that may be
fine as "shorthand" within an informal group of like-minded people. But
if we actually try to define our terms for academic precision or clarity,
or if we find among ourselves an anarchist or perhaps even a Yankee who
lacks our shared cultural understanding and doesn't already know what
we're talking about, the term "region" soon finds itself surrounded by
quotation marks, its meaning slipping away from beneath us like so much
postmodern entropy. The result, we fear, may be exactly the feeling of
displacement that our regional identification has often sought to
mitigate, if not crush altogether. And so, when it comes to region, we
remain vague, resentful of the demands of a fully public discourse,
preferring to believe that we know region when we see it.
Essay Sections:
Published: 21 June 2004
© 2004 Robert Jackson and
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