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Luther Brown, Delta State University
Essay Sections:
Poor Monkey:
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Since 1963 Willie Seaberry has lived in a tiny single room of the
building, filled almost completely by his bed. A slightly larger
kitchen serves as a bar when the lounge is open, and the rest of
the building includes space for several large tables, a pool table,
and a stage area for live bands or a disc jockey. Sixty to seventy
people can dance, move around, or sit.
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Seen from the outside, the lounge is a shanty. Inside,
the space opens into an array of colors and sounds. Three mounted TV sets
display different programs. Strings of Christmas and rope lights flash.
A disco ball reflects a rainbow of colors off walls covered either with
foil or loud floral prints. Large, cut-out letters spell "Season’s
Greetings" year round, and tinsel in multiple lengths and shapes
hangs from the ceiling. Walls are carpeted with photographs of images
ranging from school graduation to promotional shots of strippers. Stuffed
or sculptural monkeys, some amended with a plastic banana or a lifelike
dildo, hang from beams or sit in corners, along with a few naked plastic
baby dolls. A sign over the Dutch door separating the kitchen from the
main public space, through which beverage purchases are passed, reads,
"This is a high class place. Act respectable."
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In one corner stands
a large, welded-metal sculpture of Willie Seaberry holding a guitar,
made by Monkey’s friend Larry Grimes. From the sculpture’s
mouth protrudes a bolt with a red end, representing Monkey’s
signature cigar. Attached to the sculpture’s waist is a pair
of handcuffs, perhaps indicating that he is the local "law."
A monkey sits on the sculpture’s head. At the far end of the
main room is the DJ’s booth, surrounded by large speakers
and a huge sign advertising Heineken beer. |
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On most Thursdays, an elderly man
sits quietly behind the DJ on a stool. This is "Dr. Tissue,"
who has been a fixture at the Lounge "from the beginning"
according to Mr. Seaberry. On Halloween, 2005, a wooden military
surplus coffin was added to the outside of the Lounge with the words
"Rest in Peace Poor Monkey" painted on it and a stuffed
toy gorilla sticking out of one end.
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The metamorphosis that changes the
shanty into a party-land affects its proprietor and his regulars.
Most days, as he drives a tractor or operates a cotton picker, Seaberry
wears overalls. In his lounge he favors bright, color-coordinated
suits, with matching belt buckles, derby or cowboy hats, and boots.
If he's feeling up to it, he changes clothing in his bedroom every
hour or so and emerges, strutting as if on a fashion show runway,
in baby blue, bright white, crimson, yellow, plaid, or even highly
reflective silver. Seaberry sometimes further accessorizes his wardrobe
with large signs around his neck. One reads "For Sale" on one side,
and is flipped over to reveal "Private Property." Another reads
"Beer Drinkers Make Better Lovers," with "3 Way or 4 Way" on the
reverse. |
Essay Sections:
Published: 22 June 2006
© 2006 Luther Brown and Southern
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