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Place, Time, and Memory
William Christenberry, Corcoran College of Art and Design


Overview:
In this abridged version of an illustrated lecture given at Emory University on February 26, 2007, artist William Christenberry introduces major themes in his work and presents examples from more than forty years of photography, drawing, painting, and sculpture centered upon his home state of Alabama.

Presentation Sections:

Video:
Part 1 (10:33 min.)
Christenberry talks about "coming to grips" with his feelings for the Alabama landscape in his earliest work from the 1960s. Discussion of paintings and Brownie snapshots focused on Hale County. The translation of Sprott Church from photograph to sculpture. Narrative of "The Klub."
Part 2 (7:18 min.)
Discussion of works from the 1970s and later that reveal the passage of time and the workings of nature upon buildings and landscapes. Also: "Alabama Wall," "Red Building in Forest," "Horses and Black Buildings," "Green Warehouse." "Gourd Tree" drawings. Southern Monuments series.
Part 3 (9:15 min.)
Origins and intentions of Christenberry's "Klan Tableau." Examples of drawings, photographs, dolls, buildings, and environments dealing with the Klan material. The creation of "Dream Buildings." Recent sculptures approaching the subject of memory.

About William Christenberry:
Born in Tuscaloosa, Alabama, on November 5, 1936, William Christenberry is a painter, photographer, and sculptor whose work draws upon the subject matter of Alabama —from gourd trees, landscapes, vernacular buildings, and red dirt to the terror of the Ku Klux Klan — to create art that speaks to such broad themes as the depopulation of the rural landscape, the effects of time's passage upon the material world, the hubris of monumentality, and the fatal attractions of evil. A graduate of the University of Alabama, Christenberry has lived in Washington, DC, since 1968, teaching drawing and painting at the Corcoran College of Art and Design. An enormously productive and prolific artist, his work is widely exhibited and collected by major museums and galleries in the U.S and in Europe.

Presentation Sections:

Published: 28 September 2007

© 2007 William Christenberry and Southern Spaces